Snyder is once more
in the news, due to a recent interview with fellow chucklehead Joe Rogan:
Snyder said that he “tends to get in trouble” with comic book fans “because I do take a deconstructivist point of view. Because I care, I want to take [superheroes] apart.”
“People are always like, ‘Batman can’t kill.’ So Batman can’t kill is canon. And I’m like, ‘Okay, well, the first thing I want to do when you say that is I want to see what happens,'” Snyder continued. “And they go, ‘Well, don’t put him in a situation where he has to kill someone.’ I’m like, ‘Well, that’s just like you’re protecting your God in a weird way, right? You’re making your God irrelevant.'”
Snyder found it much more interesting to put Batman in a situation where he has to kill, taking inspiration from Frank Miller’s comic book “The Dark Knight Returns.” He said fans often don’t want to see their hero in a “no win situation because we don’t want to see him lose,” but that’s not story he wants to bring to the screen. Snyder isn’t interested in a superhero who “has to maintain this godlike status.”
As I said
some posts back, I don't think that Snyder actually knows what deconstruction is. Simply ignoring the fact that Batman canonically doesn't kill (because Snyder thinks that the idea of a superhero who doesn't kill is childish and overly idealistic) and instead portraying him as a killer is not deconstructive of anything, at least not in and of itself. It's literally just doing something different. To put it in Snyder's terms, if he wants Batman to kill so that we can "see what happens," then we do in fact need to see what happens. There's nothing textually, visually, or thematically significant about the fact that Batman is a killer in BvS. He simply uses guns and kills people in the same way that a standard action hero in a standard action movie would use guns and kill people. Further proof that Batman being a killer wasn't meant to be deconstructive can be seen in the big Batman fight scene near the end of the movie. Despite the fact that this scene takes place after Batman's confrontation with Superman and the completion of his arc, Batman still kills a number of his enemies. The fact is that Batman's arc was never about not killing in general; it was specifically about not killing Superman, and to a lesser extent not branding criminals, although the fact that it was Lex who arranged for the branded criminals to be killed muddles the issue of why exactly Batman branding criminals is treated by this movie as being so deeply wrong, especially when compared to all the other things he does.
And like I said
years ago, Batman does not kill in TDKR. There is one ambiguous scene in the comic, which I'm pretty sure was meant to be a fake-out to make the reader think that maybe Batman really did kill someone, only to be reassured later on by comments from both Batman and the police pointing out that he actually hasn't killed anyone. TDKR is full of little fake-outs like that to make us think that Batman is about to go too far, like Batman producing a rifle which fires a grappling hook and the Batmobile opening fire on a bunch of gangsters with non-lethal rounds. Snyder was clearly far more interested in TDKR's imagery and occasional snatches of dialogue than he was in its actual story. To be fair, though, Snyder is far from the only Batman fan who apparently interpreted TDKR as a straightforward story about Batman being awesome rather than a deconstruction - an actual deconstruction, not Snyder's incorrect idea of one. It's not as egregious a misunderstanding of the text as it for
Watchmen.
Anyway, I've watched
Aquaman and the Lost Kingdom, the final film in the DCEU before Gunn's new Superman movie presumably soft-reboots the whole thing. It's neither great nor a complete disaster. I guess the first thing I should say is that I was wrong about my "guarantee" of Momoa's performance being a major flaw in the movie. He still isn't what I'd call a good actor, but I'll credit him with putting a lot more effort into emoting and playing his role as more than just a chill dudebro than he has in previous films. Amber Heard has a much smaller role in this movie compared to the first one, and while I think she got a raw deal in the Depp trial and the discourse surrounding it (don't @ me), I can't really blame the filmmakers for not wanting to wade into the controversy surrounding her by giving her a big role again. She's never been a particularly good actress, anyway, lending their decision a bit more artistic credibility. So I wouldn't find this situation to be quite as unjust as, say, how Kelly Marie Tran was only given about a minute of screen time in TRoS to cater to the toxic vocal minority who hated her in TLJ.
The main problem with this movie is that it seems to be cramming two unrelated plots together for its main story. One is that Black Manta from the first movie is back and determined to exact his revenge on Aquaman, and the other is an absolutely shameless ripoff of LotR, complete with an underwater Sauron, an underwater Mordor, and an underwater One Ring in the form of a trident. I actually enjoyed how audacious the movie is in cribbing from LotR both visually and thematically, and I assure you that I'm not just reading too much into it or anything. Just one look at this underwater Sauron will show that there is zero chance this was unintentional. The issue is that none of it is necessary and just takes focus away from what should have been the movie's main conflict. Black Manta already hates Aquaman, and he's already dangerous enough to pose a serious threat to him. He doesn't need to be corrupted or mind-controlled, nor does he need an ancient evil weapon or an army of monsters to attack Atlantis. He's a successful pirate and treasure hunter, so presumably he's already got a gang, and it's not a stretch to suppose that he could have some new technology that Aquaman isn't familiar with. This doesn't need to be explained or justified within the movie. In fact, by keeping the threat that Black Manta poses as being entirely the product of human civilization, it could add a new dimension to the relationship between Aquaman and Orm, because Orm might consider it to be vindication for his plan to wipe out humanity in the previous movie.
The highlight of this movie is the return of Patrick Wilson as Orm. Like an absolute champ, Wilson refuses to let the fact that he's in a stupid and ridiculous movie hamper his acting, and he gives every scene absolutely everything he has. He delivers goofy exposition with a straight face that Adam West would approve of, he has great comic timing, and he makes Aquaman feel like more of a rounded character by playing the straight man to Momoa's wild exuberance. Speaking of the dynamic between those two, I've got to say I didn't like a brief gag where Aquaman sarcastically calls Orm "Loki." He's not making a reference to Norse mythology. It's very clearly a shout-out to the MCU, and it's very clearly for the benefit of the audience so they can see the inspiration. And it's so unnecessary! The MCU did not invent the idea of two brothers fighting over who would get to inherit the throne! It's unnecessary self-deprecation, like the filmmakers felt the need to sheepishly shrug and say, "Yeah, we're ripping off the MCU, so let's pay tribute to them in a weird bit of dialogue aimed at the audience," when it really isn't a ripoff of the MCU and no tribute was needed or owed. I know this is a nitpick, but something about that line really rubbed me the wrong way.
One thing that definitely is a ripoff from the MCU is the ending, where - look, I'm just going to say it, because this really isn't giving anything away about the story, and that's kind of the problem - Aquaman reveals the existence of Atlantis to the rest of the world. Yes,
Black Panther had a similar ending, but in that movie, it was the result of the movie's actual themes and story. It was a logical and satisfying ending. In this movie, Atlantis being hidden from the rest of the world has fuck all to do with the themes or story. It's literally just there because
Black Panther.
Here's my updated ranking of the entire DCEU:
1.
The Suicide Squad2.
Wonder Woman3.
Shazam!4.
Birds of Prey (A-tier, genuinely good movies)
5.
Blue Beetle6.
Aquaman7.
Wonder Woman 84 (B-tier, enjoyable despite their flaws)
8.
Zack Snyder's Justice League9.
Shazam! Fury of the Gods10.
Aquaman and the Lost Kingdom11.
Black Adam12.
Man of Steel13.
Batman v Superman: Dawn of Justice (C-tier, bad movies with some redeeming elements)
14.
The Flash15.
Justice League16.
Suicide Squad (D-tier, utter shit)