Syd BarrettOpelStudio albumRecorded: 1968-1970
Released: 17 October 1988
All tracks performed solo by Syd Barrett, except "Clowns and Jugglers", featuring:
Mike Ratledge (organ)
Hugh Hopper (bass)
Robert Wyatt (drums)
All tracks authored by Syd Barrett, except where noted.
Side A1. Opel (6:26)
2. Clowns and Jugglers (Octopus) (3:27)
3. Rats (3:00)
4. Golden Hair
(Barrett, James Joyce) (1:44)
5. Dolly Rocker (3:01)
6. Word Song (3:19)
7. Wined and Dined (3:03)
Side B1. Swan Lee (Silas Lang) (3:13)
2. Birdie Hop (2:30)
3. Let's Split (2:23)
4. Lanky (Part One) (5:32)
5. Wouldn't You Miss Me (Dark Globe) (3:00)
6. Milky Way (3:07)
7. Golden Hair (instrumental version) (1:56)
ReviewYet another collection of early Syd recordings, this one mainly consists of just Syd playing guitar and singing. The alternate versions of previously released songs are generally better done elsewhere; exceptions being Clowns and Jugglers and the instrumental version of Golden Hair, which are both fantastic on this release. But it's the new material that really sets this album apart.
Most of the new songs on side A are fairly boring, evidently suffering from the lack of overdubs that the material included on
The Madcap Laughs and
Barrett would later accrue. The title track is interesting while Syd is singing, but the verses are separated by lengthy portions of strummed chords. Dolly Rocker isn't much better, with Word Song being a highlight of side A; it just consists of Syd saying various words while strumming the same chord repeatedly, which I find entertaining in spite of its inanity.
Side B brings a huge improvement right from the start, with Swan Lee being one of the best Syd songs I've yet heard; an exemplary presentation of Syd's inimitable eccentric rock 'n' roll. The next major highlight is Lanky, which is a lengthy instrumental consisting entirely (it would appear) of improvisation; parts of it sound a lot like the midsection of Interstellar Overdrive, albeit with more percussion and less organ. Milky Way, as the final new song on the record, doesn't disappoint either.
Unmistakeably a Barrett album, and with all the standard flaws and caveats that come with his unhinged post-Floyd career, this has more variety than
Madcap and more soul than
Barrett. Overall, I'd rate it as on par with those releases, and definitely better than
The Peel Sessions. A must-hear for any Syd fan.