Warren Ellis' 2014 run on
Moon Knight is really good! I'm used to Ellis being kind of a snarky edgelord, and there is some of that in here, but he really gets the dark humour of the character and his unique mental condition. This time around Moon Knight is a private detective, and has more of a cold persona than I've seen before, which leads to some great moments of deadpan humour, but also emphasises his fearlessness. He is still an incredibly violent character, but not quite so over-the-top as he was when Charlie Huston was writing him back in 2006 — a run which was fine, but far too self-serious for my taste — and gets into a lot of fights that would give the Netflix
Daredevil a run for its money both in terms of bloodshed and in terms of spectacle.
Speaking of Netflix, I really want to see Moon Knight on there. His multiple personalities mean that he himself could make up half the regular cast, and he has some seriously diabolical villains that would be really cool to see on screen if they were handled properly. I think the biggest barrier to a live action adaptation would be the effects budget, since (in this latest run) he has quite a few gadgets like a drone glider, a self-driving car, tons of Egyptian artefacts which he uses to fight different kinds of enemies etc. (even in older versions he has a technological arsenal to rival Batman) and gets into some pretty weird situations, not to mention his god Khonshu appears to him in many different, typically grotesque guises. If done well, it could be the best thing Marvel has put out so far.
Moony is often compared to Batman, and there are some similarities, but the former is literally the avatar of a bloodthirsty Egyptian god, has no qualms about killing people, and is funding his operation with blood money he made through various shady activities in the past, as opposed to the latter, who does or tries to do everything by the book and is motivated by his belief in justice. Moony also dresses in all white so that his enemies will see him coming, and takes pleasure in extreme violence, whereas Batman prefers stealth and strategy and to only use necessary, non-lethal force. In some ways Moon Knight is closer to the Punisher, though he does not use guns, and indeed they seem to be "friendly" rivals in quite a few publications.
The
art by Declan Shalvey ranges deftly between low key portraiture and dense spectacle and has a great sense of atmosphere. Moony's average day being extremely unpredictable, the art can jump from a realism which anchors the madness to psychedelic dreamscapes, and all without losing that feeling of controlled chaos. There can occasionally be a disjunction between the subtleties in the artwork and the sledgehammer satire that Ellis likes to use, but in an odd way those conflicting extremes serve only to emphasise similar aspects in the protagonist's character. Along with Bendis' 2012 run this is easily the best
Moon Knight I've read so far, it's just a real shame that it only lasted six-issues. The stuff afterwards (Brian Wood and Greg Smallwood) looks like Clipart — not by comparison, it literally looks like Clipart. It's written fine, but it looks like Clipart.
Clipart!Edit: Okay, so actually the story of the later stuff is really cool and the art "grows" on you, I guess, I still prefer the Shalvey stuff though.