Anytime you change the writer's original words, that is censorship.
We get banned for shit like that when we do it here.
Tell you what, next time you get published, I'll change the words you write, not only post-publication but post-mortem.. Or would you rather a work you submit for publication, subsequently approved, be released as you submitted it? The "editing that happens all the time," as you put it, happens pre-publication, with any subsequent revisions approved by the author.
What's good for the goose is good for the gander, right?
I wonder how bible revisions were approved by the author.
They don't need to be. They are always translations. Sometimes translations are updated to reflect changes in language.
If someone were to update the original ancient Hebrew or Greek to make it more politically correct and say this is what the Bible says from now on you can be sure as shit people would have a problem with it.
The arguments you people are coming up with to try to justify the censorship are at least as absurd as the censorship itself, I literally can't even.
"Political correctness" is not the only driver of 'censorship'. I'm pretty sure the original ancient Hebrew or Greek language has been updated a gazillion times, not just 1-for-1 translated, considering the gazillion versions of the bible. Language altered, softened, whole chapters/gospels removed over the ages. One only has to look as far as the Jefferson Bible.
Bible aside, kind of my extreme example anyway, it's not really a "justification" for censorship so much as does it really matter? Authors self-censoring due to publisher pressures, estates/owners of material with every right to do whatever they want, and the fact that no one is putting a gun to anyone's head to even buy or read any of this stuff. If someone finds an original text offensive, don't read it. If someone finds an alternate version of a text offensive due to revisions made to remove what an owner deemed was offensive, don't read it.
I agree that it's a slippery slope at best with razor thin lines of interpretations. Real troublesome "censorship", for me, is when people who don't have have the legal/ownership authority to revise something demand that something be revised.
All that said, what's more problematic here is that I'm guessing the motivation for this case is that Netflix spent half a billion dollars on the Dahl catalogue and for the 'Mathilda' musical they are working on they want to make sure the supporting book versions match up with their desired sanitized/modernized visual version.
If the Dahl estate was simply doing this out of the
goodness of their hearts then whatevs, do what you want. However, this whole thing is about $ at the end of the day and moving more product. It's a win-win: People pissed at the revisions will buy the old books and people embracing the revisions will buy the new books. It's kinda devilishly genius in a way.